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When men were men

Sam Peckinpah at the Harvard Film Archive
Since Sam Peckinpah’s untimely death at the age of 59, he has acquired such legendary status that it’s startling to remember that he made only 14 films over a period of 22 years.
By: STEVE VINEBERG  |  September 03, 2008

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Devil at the Gate

Giving voice to Red Heroine
The ensemble has spent the better part of a decade composing and performing soundtracks for silent films, creating their own brand of musical alchemy.
By: BRETT MICHEL  |  September 05, 2008

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Kino pravda

‘Envisioning Russia’ at the MFA
Because Mosfilm, the subject of the Museum of Fine Arts’ “Envisioning Russia” retrospective, was the Soviet state production studio, any cross-section of its history lays out the entirety of Soviet film history.
By: MICHAEL ATKINSON  |  August 26, 2008

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Interview: Ludivine Sagnier

Nude? Naked?
As sultry French starlets go, 29-year-old Ludivine Sagnier is as advertised.
By: PETER HYMAN  |  August 26, 2008

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Smoke screens

Does a surge of stoner movies mean America is going to pot?
What does it say about America that marijuana movies are a hot genre right now, perhaps hotter even than in the heyday of Cheech Marin and Tommy Chong’s 1978 Up in Smoke ?
By: PETER KEOUGH  |  August 18, 2008

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Cock and bull?

Interview: Not if it’s British actor Steve Coogan
Americans will finally know who Steve Coogan is.
By: PETER KEOUGH  |  August 11, 2008

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The 16 greatest stoner movies

Our favorite marijuana movies
We’re picking the best 16 stoner films of all time — one for every easily weighable segment of an ounce.
By: LANCE GOULD  |  August 11, 2008

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Slideshow: Found in translation

A new book looks at the golden age of international movie marketing
As movies began to gain worldwide attention, Hollywood studios tailored their marketing to specific geographic locations, allowing local distributors to create their own publicity campaigns.
By: CHRIS WANGLER  |  August 01, 2008

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The way it is

Interview: Talking about American Teen
Nanette Burstein admits that “through the pain and torture” of high school, she was able to come to terms with who she was.
By: SHARON STEEL  |  July 29, 2008

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Flying high

Is The Dark Knight the best movie ever?
Every summer, it seems like another superhero movie has broken some box-office record or other and made movie history.
By: PETER KEOUGH  |  July 23, 2008

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Our superheroes, ourselves

What the current crop of comic-book action movies tells us about America's identity crisis
Is there a breed of person more tenderly optimistic, more winsomely hopeful for the best, more loyal to the possibility of good, than the American summer moviegoer?
By: JAMES PARKER  |  July 09, 2008

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Believe it or not

Interview: Guy Maddin tells the truth
Even the titles of his films are a little weird.
By: PETER KEOUGH  |  July 08, 2008

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They always beat Gypsies

Joseph Losey at the HFA
From the beginning of his career in movies, Joseph Losey was persecuted — chased out of town.
By: A.S. HAMRAH  |  July 08, 2008

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Cherchez les femmes

Women dominate the 13th Annual Boston French Film Festival
Women have always dominated French cinema — just not from behind the camera.
By: PETER KEOUGH  |  July 01, 2008

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Pole sitter

Interview: Werner Herzog ponders the end of the world
Speaking to the legendary German filmmaker is like speaking to God.
By: PETER KEOUGH  |  July 01, 2008

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Akin talks Turkey

Cutting Edge of Heaven
Did he worry that it might sound like the name of an undiscovered Douglas Sirk film?
By: PETER KEOUGH  |  June 25, 2008

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Interview: John Cusack sounds off on War, Inc.

Say everything
Most filmgoers recognize John Cusack as a brooding sexy, sometimes sardonic leading man.
By: PETER KEOUGH  |  June 11, 2008

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The awful truth

Leo McCarey was better in the ’30s
Among the signal directors of 1930s comedies — one thinks of Frank Capra, Howard Hawks, Ernst Lubitsch, and George Cukor — Leo McCarey’s name has been largely forgotten.
By: STEVE VINEBERG  |  June 02, 2008

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Shaw business

The HFA proves there’s more to Hong Kong than kung fu
The Shaw Brothers dominated Hong Kong film production in the ’60s and ’70s, and they produced not only martial-arts epics but also musicals, ghost stories, and melodramas.
By: PETER KEOUGH  |  May 28, 2008

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Darkness visible

The HFA’s ‘Unseen Noir’ unveils America’s post-war gloom
Welcome to the dark territories again, the republic of bitterness and bile known as noir.
By: MICHAEL ATKINSON  |  May 19, 2008
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