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Simple blood

Twilight puts the life back into the undead
Twilight puts the life back into the undead
By PETER KEOUGH  |  November 19, 2008
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Interview: Amanda Palmer

At home with the Dresden Doll's solo joint
So it’s the eve of the release of local sensation and Dresden Dolls vocalist/pianist Amanda Palmer’s solo debut album, and I’m sitting in her bric-a-brac-filled South End apartment drinking herbal tea.
By DANIEL BROCKMAN  |  September 25, 2008
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David Foster Wallace — 1962–2008

Overhead baggage
A story called “Forever Overhead” by David Foster Wallace appeared in the 1992 edition of Best American Short Stories .
By NINA MACLAUGHLIN  |  September 26, 2008
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New blood

ART and the Huntington (and Boston theater) get a youth transfusion
The famously adventurous American Repertory Theatre is soon to be taken over by a woman who spent her summer directing . . . the vintage Broadway hits Kiss Me, Kate and Hair ?
By CAROLYN CLAY  |  September 10, 2008
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Murder in six degrees

Peter Ivers — pals with john Belushi to the Circle Jerks — was killed in 1983. A new book recalls his fascinating life — and mysterious death.
You’ve probably never heard of Peter Ivers.
By MIKE MILIARD  |  September 10, 2008
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Unstoppable force

The sludgy juggernaut of the Melvins
“Basically it’s like, if you get what we’re doing, then no explanation is necessary, and if you don’t, then no explanation is possible.”
By MICHAEL ALAN GOLDBERG  |  August 08, 2008
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Believe it or not

Interview: Guy Maddin tells the truth
Even the titles of his films are a little weird.
By PETER KEOUGH  |  July 08, 2008
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Here comes the neighborhood

The Midway Café stretches its legs
The Midway Café occupies what could be the most remote location of any club in Boston.
By MATT PARISH  |  July 01, 2008
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Flash without fire

Is New England better than the DeCordova’s Annual Exhibition?
The aim of the DeCordova Museum’s Annual Exhibition is to round up “some of the most interesting and visually eloquent” New England artists.
By GREG COOK  |  May 13, 2008
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Portishead

Third | Island
It’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
By MATT PARISH  |  April 22, 2008
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Ill wind

Apocalyptic dread in the galleries
In the muddy rusty autumnal scrub, a fox, who could have been imagined by Richard Scarry, sits on a log and a smiling rabbit lies in brambles.
By GREG COOK  |  January 14, 2008
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Lynch (One)

Utterly otherworldly
An intimate look at the creative process of a man who has brought nightmares and dreams alive in cinema as no one before or since.
By PEG ALOI  |  December 12, 2007
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Better transformers

MIFF 10 honors cinema’s past and future
Maine film buffs have it tough.
By CHRISTOPHER GRAY  |  July 11, 2007
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Pretty and slow

Keren Ann, Somerville Theatre, June 2, 2007
It’s difficult to say what we gained by seeing Keren Ann live at the Somerville Theatre last Saturday night as opposed to listening to her on record.
By JON GARELICK  |  June 04, 2007
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Perversion, introversion

Slavoj Zizek at Harvard, Bergman on Fårö
Slavoj Zizek, the fuzzy-bearded Slovenian philosopher, seems a fun guy.
By GERALD PEARY  |  April 03, 2007
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Premonition

False reading
Sometimes you wake up and life seems like a badly edited movie.
By PETER KEOUGH  |  March 21, 2007
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Welcome to the Church of Blow

Divinity
Since the Lord is reportedly present throughout creation, it stands to reason that he pervades the World Wide Web.
By JASON WILKINS  |  March 21, 2007
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Curiously refreshing

Digging deep at the Boston Underground Film Festival
The pickings this year at the ninth Boston Underground Film Festival are relatively slim.
By PETER KEOUGH  |  March 21, 2007
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The late show

Boston, from   2 am to 6 am
Boston lives after 2 am. It’s just a different city, more of a landscape than a community. Audio Slideshow: Allston, 2 to 6 am Audio Slideshow: Cambridge, 2 to 6 am Audio Slideshow: Downtown Boston, 2 to 6 am
By CAMILLE DODERO, MIKE MILIARD, AND WILL SPITZ  |  January 31, 2007

Doom, gloom and zoom

A year in film
Given the past year’s headlines, it can’t come as a surprise that some of the best films of 2006 had an edge of darkness to them.
By PETER KEOUGH  |  January 16, 2007

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